In WaveLab Pro, you can author a DVD-Audio from a collection of audio montages and write it to DVD-Audio. Furthermore, you can use them to analyze audio sections when playback is stopped. Meters can be used to monitor audio during playback, rendering, and recording. WaveLab Pro contains a variety of audio meters that you can use for monitoring and analyzing audio. Markers are useful for editing and playback. Markers allow you to save and name specific positions in a file. This is where you adjust the master levels, add effects, resample, and apply dithering. The Master Section is the final block in the signal path before the audio is sent to the audio hardware, to an audio file, or to the audio meters. You can also render multiple live input streams with different plug-ins and output formats in parallel. Optionally, you can add plug-ins to the live input rendering. You can monitor and render audio input through the Master Section. When you are recording, you can click the marker buttons to add markers to the recorded file. This allows you to listen to the effects that your WaveLab Pro setup has on your input signal. Input monitoring means listening to the input signal after it travels through the effects while preparing to record or while recording. You can record audio as clips in the audio montage. This indicator at the bottom of the Recording dialog indicates the approximate amount of available disk space on the hard disk specified in the File to Create section, or the hard disk that you have selected for temporary files. This is useful for checking the input level and the frequency spectrum of the input signal. In the lower part of the Recording dialog, you find a meter display. Level Meter and Spectrometer for Recordings.In this dialog, you can make recording settings and start recording an audio file. You can record audio in the Audio Editor and in the Audio Montage window.īefore you start recording, set up the Recording dialog. The audio montage is a multichannel and multitrack non-destructive editing environment that allows you to arrange, edit, play back, and record audio clips. Offline processes are useful for a variety of editing purposes and creative effects, for example, if the computer is too slow for real-time processing or if the editing requires more than one pass. The detection and correction methods allow you to detect, mark and name, jump to, play back, and remove individual audio errors. You can search for unwanted clicks and digital artifacts in an audio file. WaveLab Pro provides you with a comprehensive set of tools for analyzing your audio and for detecting any errors. This chapter describes the methods for controlling playback and transport functions.Īudio file editing refers to opening, editing, and saving audio files. For example, save file settings that you regularly use as templates, rename files using naming schemes, or create a favorite files lists. In WaveLab Pro, you can handle files in various ways. Each environment contains functions that are tailored to the specific purpose of each file type. The Workspace window provides an editing and playback environment for each particular file type. Getting accustomed with these procedures allows you to work more effectively with the program. This chapter describes general concepts that you will use when working with WaveLab Pro. Welcome not only to the number one choice for mastering professionals, but also to a community of users who are true masters of their craft.īefore you start working, you need to make some settings. Thank you for purchasing WaveLab Pro and embracing the true art of mastering. The following list informs you about the most important improvements in WaveLab Pro and provides links to the corresponding descriptions.
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